Source:Schoeps mk21(nos)Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96 Tracked via Sound Studio, FLAC via xACTįlac16 44.1khz Source:Schoeps mk41v (xy)>kcy aki> M222> NT222>Sonosax SX-R4+ 24/96 Tracked and resampled to 16-bit via Sound Studio, FLAC via xACTįlac24 48khz Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Source 2: Neumann ak40(ortf)-lc3-km100-xlr-sd788 And I, Washington, DCįlac16 44.1khz Source: DPA 4023 > Sound Devices MixPre-6 (24/48) Source 1: Neumann ak50(ortf)-lc3-km100-xlr-sd788 Opera House, Wilmington, DE Source 1: Neumann ak50(ortf)-lc3-km100-xlr-sd788 2: Neumann ak40(ortf)-lc3-km100-xlr-sd788 of all sources made on SF Pro for Mac Loc: DFC-first row balcony on extension pole with CK Transfer: 788t>Wavelab 6>CD Wave>Wavelab 6>Flac Mastering: Sound Studio (tracking) Xact (Tag & Flac) Source: Schoeps mk21(nos)Kcy>Schoeps Vst 62IUg>(Internal Pre)Sonosax SX-R4+ 24/96 Mastering: Reaper (DSP)> Sound Studio (tracking) Xact (Tag & Flac) Source: Neumann TLM 170 (hypercardioid x/y 90)> SD 744 24/96 Transfers: SDHC>Adobe Audition>Cakewalk Pyro>.WAV>FLACįlac24 44.1khz Source: Core Sound Binaurals > Tascam DR-05 Mastering: Reaper (DSP & EQ)> izotope dither and src> Sound Studio (tracking) Xact (Tag & Flac)įlac16 44.1khz Source: Schoeps MK4's>Schoeps CMR's>Naiant PFA>Edriol R-44 OCM Source 2: MG20(Cards)>nBob Actives>nBox Elite>Zoom F8(24/48)Ĭonversion: SDHC Card>Adobe Audition 3.0>CDWave 1.71 Source 1: MG21(Hypers)>nBob Actives>nBox Elite>Zoom F8(24/48) Source: Schoeps mk22 (60° 31cm)>nbob actives>Naiant PFAs>Sonosax SX-R4(24bit/96khz) Location: OTS/ right of center Balcony D Row EE between seat 5/6 Recorded, Transferred & Seeded by Andy Murray Transfer: Sonosax SX-R4>USB>IMac>Pro Tools 12(hard limit -15.1 db,normalizing)>Audacity(tracking, fades)>Sony Soundforge Convrt(resample(izotope,highest settings)/dither(mbit+/ultra, high dither)to 16 bit/44.1k)>XAct(FLAC 8,ffp,fix sbe,tagging) Mayo Performing Arts Center, Morristown, NJįlac16, 44.1 kHz Schoeps mk41v + Schoeps mk3 (Spaced omni) > Sound Devices Mixpre6 SD Card > Macbook Pro > Reaper > Sound Studio > xAct Taped & Transferred by Noah Bickartįlac16, 44.1 kHz Schoeps mk22 > Nbob KCY > Naiant PFA > Sound Devices Mixpre6 SD Card > Macbook Pro > Reaper > Sound Studio > xAct Taped & Transferred by Noah Bickartįlac16, 44.1 kHz DPA 4023 > Sonosax SX-M2 > Sound Devices 722 (24/96) 722 > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > Wave Editor 1.5.7 (iZotope Resampler/MBIT+ Dither) > xACT 2.41 > flac16 (level 8) Taped & Transferred by Lenny Stubbeįlac24, 96 kHz DPA 4023 > Sonosax SX-M2 > Sound Devices 722 (24/96) 722 > Firewire > Macbook > Sound Studio 3.6 (fades, normalize peak, +gain, track) > xACT 2.41 > flac16 (level 8) Taped & Transferred by Lenny Stubbeįlac16, 44.1 kHz Blue B6 > a60 > Naiant AKG Couplers/PFA > Sound Devices MixPre-6 (24/48) Waves > MacBook Pro > Sound Forge 2.5 (Normalize, Fade, Track) > xAct(Tagging) > Flac Taped & Transferred by Ted Gakidisįlac16 44.1khz Location: OTS/ right of center Balcony D Row EE between seat 5/6 This noncommercial site is in compliance with their policy. Please review the current policy of Phish regarding the circulation of their music. Its outstanding sound repairing and denoising abilities make Amadeus Pro particularly suitable for transferring vinyl records on CD.Trey Anastasio homepage | LivePhish downloads | | HPB Setlists The handling of large sounds is furthermore facilitated by the extensive support of markers. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed. Thanks to its outstanding direct-to-disk abilities and waveform caching, edits on arbitrarily large sounds (even beyond the usual 2GB limit) are performed at lightning speed.Īmadeus Pro lets you use your Mac for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc. Amadeus Pro lets you use your Mac for any audio-related task, such as live audio recording, digitizing tapes and records, converting between a variety of sound formats, etc.
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